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Past Events

Don Giovanni: the man, the myth and the legend. He can't resist women and women can't resist him. With so many conquests, his servant Leporello can barely keep track of them all! Giovanni's attention comes in the form of harassment and lies, and rages unchecked until the father of the beautiful Donna Anna arrives to put him in his place. So beware, this lecherous lothario is "climbing in your windows and snatching your people up!"

Osmo Vänskä, conductor
Angela Meade, soprano
Jennifer Johnson Cano, mezzo
Zach Borichevsky, tenor
Eric Owens, bass-baritone
Minnesota Chorale

BEETHOVEN
Symphony No. 1
Symphony No. 9, Choral

Osmo Vänskä, conductor
Angela Meade, soprano
Jennifer Johnson Cano, mezzo
Zach Borichevsky, tenor
Eric Owens, bass-baritone
Minnesota Chorale

BEETHOVEN
Symphony No. 1
Symphony No. 9, Choral

INNER WORLDS: SCHUMANN, LIEBERSON AND RILKE

Robert Schumann Selected songs
                           Selected works for cello and piano

Peter Lieberson Rilke Songs (Houston premiere)

The Cleveland Orchestra
Robert Porco, conductor
Yulia Van Doren, soprano
Jennifer Johnson, mezzo-soprano
John Tessier, tenor
John Relyea, bass
Cleveland Orchestra Chamber Chorus

The Cleveland Orchestra
Robert Porco, conductor
Yulia Van Doren, soprano
Jennifer Johnson, mezzo-soprano
John Tessier, tenor
John Relyea, bass
Cleveland Orchestra Chamber Chorus

The Cleveland Orchestra
Robert Porco, conductor
Yulia Van Doren, soprano
Jennifer Johnson, mezzo-soprano
John Tessier, tenor
John Relyea, bass
Cleveland Orchestra Chamber Chorus

Verdi Requiem

Robert Spano, Conductor

Latonia Moore, Soprano

Jennifer Johnson Cano, Mezzo Soprano

Anthony Dean Griffey, Tenor

Nathan Stark, Bass

The Atlanta Symphony Orchestra

The Atlanta Symphony Chorus

Verdi Requiem

Robert Spano, Conductor

Latonia Moore, Soprano

Jennifer Johnson Cano, Mezzo Soprano

Anthony Dean Griffey, Tenor

Nathan Stark, Bass

The Atlanta Symphony Orchestra

The Atlanta Symphony Chorus

Program to include Dominick Argento's song cycle "From the Diary of Virginia Woolf"

Program

RAVEL Rhapsodie Espagnol

STRAUSS Songs

BRAHMS Liebeslieder Waltzes, Op. 52

Artists
Kiera Duffy, soprano
Jennifer Johnson Cano, mezzo-soprano
John Bellemer, tenor
Jesse Blumberg, baritone
Nina Schumann and Luis Magalhaes (TwoPianists), piano

Verdi’s masterful Otello matches Shakespeare’s play in tragic intensity. Director Bartlett Sher probes the Moor’s dramatic downfall with an outstanding cast: tenor Aleksandrs Antonenko plays the doomed Otello; new soprano star Sonya Yoncheva sings Desdemona, Otello’s innocent wife and victim; and baritone Željko Lučić plays the evil Iago, who masterminds Otello’s demise. Dynamic maestro Yannick Nézet-Séguin conducts.

The Met season opens with Verdi’s masterful Otello, inspired by Shakespeare’s play and matching it in tragic intensity. Director Bartlett Sher probes the Moor’s dramatic downfall with an outstanding cast: tenor Aleksandrs Antonenko plays the doomed Otello; new soprano star Sonya Yoncheva sings Desdemona, Otello’s innocent wife and victim; and baritone Željko Lucic plays the evil Iago, who masterminds Otello’s demise. Dynamic maestro Yannick Nézet-Séguin conducts.

The Met season opens with Verdi’s masterful Otello, inspired by Shakespeare’s play and matching it in tragic intensity. Director Bartlett Sher probes the Moor’s dramatic downfall with an outstanding cast: tenor Aleksandrs Antonenko plays the doomed Otello; new soprano star Sonya Yoncheva sings Desdemona, Otello’s innocent wife and victim; and baritone Željko Lucic plays the evil Iago, who masterminds Otello’s demise. Dynamic maestro Yannick Nézet-Séguin conducts.

The Met season opens with Verdi’s masterful Otello, inspired by Shakespeare’s play and matching it in tragic intensity. Director Bartlett Sher probes the Moor’s dramatic downfall with an outstanding cast: tenor Aleksandrs Antonenko plays the doomed Otello; new soprano star Sonya Yoncheva sings Desdemona, Otello’s innocent wife and victim; and baritone Željko Lucic plays the evil Iago, who masterminds Otello’s demise. Dynamic maestro Yannick Nézet-Séguin conducts.

The Met season opens with Verdi’s masterful Otello, inspired by Shakespeare’s play and matching it in tragic intensity. Director Bartlett Sher probes the Moor’s dramatic downfall with an outstanding cast: tenor Aleksandrs Antonenko plays the doomed Otello; new soprano star Sonya Yoncheva sings Desdemona, Otello’s innocent wife and victim; and baritone Željko Lucic plays the evil Iago, who masterminds Otello’s demise. Dynamic maestro Yannick Nézet-Séguin conducts.

The Met season opens with Verdi’s masterful Otello, inspired by Shakespeare’s play and matching it in tragic intensity. Director Bartlett Sher probes the Moor’s dramatic downfall with an outstanding cast: tenor Aleksandrs Antonenko plays the doomed Otello; new soprano star Sonya Yoncheva sings Desdemona, Otello’s innocent wife and victim; and baritone Željko Lucic plays the evil Iago, who masterminds Otello’s demise. Dynamic maestro Yannick Nézet-Séguin conducts.

The Met season opens with Verdi’s masterful Otello, inspired by Shakespeare’s play and matching it in tragic intensity. Director Bartlett Sher probes the Moor’s dramatic downfall with an outstanding cast: tenor Aleksandrs Antonenko plays the doomed Otello; new soprano star Sonya Yoncheva sings Desdemona, Otello’s innocent wife and victim; and baritone Željko Lucic plays the evil Iago, who masterminds Otello’s demise. Dynamic maestro Yannick Nézet-Séguin conducts.

The Met season opens with Verdi’s masterful Otello, inspired by Shakespeare’s play and matching it in tragic intensity. Director Bartlett Sher probes the Moor’s dramatic downfall with an outstanding cast: tenor Aleksandrs Antonenko plays the doomed Otello; new soprano star Sonya Yoncheva sings Desdemona, Otello’s innocent wife and victim; and baritone Željko Lucic plays the evil Iago, who masterminds Otello’s demise. Dynamic maestro Yannick Nézet-Séguin conducts.