Calendar

Past Events

Los Angeles Philharmonic
Gustavo Dudamel, conductor
John Holiday, countertenor
Julianna Di Giacomo, soprano
Jennifer Johnson Cano, mezzo-soprano
Michael König, tenor
Davóne Tines, bass-baritone
Los Angeles Master Chorale
Grant Gershon, artistic director

PROGRAM

BERNSTEIN: Chichester Psalms (c. 19 minutes) Program Notes

BEETHOVEN: Symphony No. 9 (c. 65 minutes) Program Notes

Los Angeles Philharmonic
Gustavo Dudamel, conductor
John Holiday, countertenor
Julianna Di Giacomo, soprano
Jennifer Johnson Cano, mezzo-soprano
Michael König, tenor
Davóne Tines, bass-baritone
Los Angeles Master Chorale
Grant Gershon, artistic director

PROGRAM

BERNSTEIN: Chichester Psalms (c. 19 minutes) Program Notes

BEETHOVEN: Symphony No. 9 (c. 65 minutes) Program Notes

Bernstein Symphony No. 1, Jeremiah

Bernstein Symphonic Suites from On the Waterfront

Bernstein Symphonic Dances from West Side Story

Bernstein Symphony No. 1, Jeremiah

Bernstein Symphonic Suites from On the Waterfront

Bernstein Symphonic Dances from West Side Story

Leoš Janáček
"The Cunning Little Vixen" (concert performance)

Franz Welser-Möst, Conductor
Martina Janková, Soprano (Füchslein Schlaukopf)
Donna Ellen, Soprano (Frau des Försters/Eule)
Jennifer Johnson Cano, Mezzo-Soprano (Fuchs)
Angela Brower, Mezzo-Soprano (Dackel/Specht)
Kurt Azesberger, Tenor (Schulmeister/Mücke)
Markus Eiche, Baritone (Haraschta)
Alan Held, Bass-Baritone (Förster)
Tareq Nazmi, Bass (Pfarrer/Dachs)
Kinderchor der Bayerischen Staatsoper, Chor
Chor des Bayerischen Rundfunks
Symphonieorchester des Bayerischen Rundfunks

Leoš Janáček
"The Cunning Little Vixen" (concert performance)

Franz Welser-Möst, Conductor
Martina Janková, Soprano (Füchslein Schlaukopf)
Donna Ellen, Soprano (Frau des Försters/Eule)
Jennifer Johnson Cano, Mezzo-Soprano (Fuchs)
Angela Brower, Mezzo-Soprano (Dackel/Specht)
Kurt Azesberger, Tenor (Schulmeister/Mücke)
Markus Eiche, Baritone (Haraschta)
Alan Held, Bass-Baritone (Förster)
Tareq Nazmi, Bass (Pfarrer/Dachs)
Kinderchor der Bayerischen Staatsoper, Chor
Chor des Bayerischen Rundfunks
Symphonieorchester des Bayerischen Rundfunks

Program to include music by Canteloube, Dvořák, de Falla, Barber, Bernstein and Dove

Robert Spano leads the Atlanta Symphony Orchestra in two powerful works by Beethoven and Bernstein. Known for its forceful melodies and heroic spirit, Beethoven’s Emperor Concerto is the most frequently performed of the composer’s five piano concertos. The Los Angeles Times called piano soloist Jorge Osorio “one of the more elegant and accomplished pianists on the planet.” Leonard Bernstein composed his first major symphonic work, the Symphony No. 1, Jeremiah, in 1942. The symphony follows the Biblical story of the prophet Jeremiah with texts from the Book of Lamentations sung by Metropolitan Opera mezzo-soprano Jennifer Johnson Cano.

Program to include music by Canteloube, Dvořák, de Falla, Barber, Bernstein and Dove

Tito Muñoz, conductor
Jennifer Johnson Cano, mezzo soprano

Mahler: Adagio from Symphony No. 10
Bernstein: Symphony No. 1, “Jeremiah”
Brahms: Symphony No. 1

Leonard Bernstein once exclaimed, “The work I have been writing all my life is about the struggle that is born of the crisis of our century: a crisis of faith.” With the “Jeremiah” Symphony, Bernstein began a musical exploration of his religious faith that would inspire many of his serious compositions. Johannes Brahms experienced his own crisis while composing his monumental First Symphony – that of escaping the shadow of Beethoven. Experience how these struggles gave way to two modern classics with Tito Muñoz and The Phoenix Symphony.

Tito Muñoz, conductor
Jennifer Johnson Cano, mezzo soprano

Mahler: Adagio from Symphony No. 10
Bernstein: Symphony No. 1, “Jeremiah”
Brahms: Symphony No. 1

Leonard Bernstein once exclaimed, “The work I have been writing all my life is about the struggle that is born of the crisis of our century: a crisis of faith.” With the “Jeremiah” Symphony, Bernstein began a musical exploration of his religious faith that would inspire many of his serious compositions. Johannes Brahms experienced his own crisis while composing his monumental First Symphony – that of escaping the shadow of Beethoven. Experience how these struggles gave way to two modern classics with Tito Muñoz and The Phoenix Symphony.

Tito Muñoz, conductor
Jennifer Johnson Cano, mezzo soprano

Mahler: Adagio from Symphony No. 10
Bernstein: Symphony No. 1, “Jeremiah”
Brahms: Symphony No. 1

Leonard Bernstein once exclaimed, “The work I have been writing all my life is about the struggle that is born of the crisis of our century: a crisis of faith.” With the “Jeremiah” Symphony, Bernstein began a musical exploration of his religious faith that would inspire many of his serious compositions. Johannes Brahms experienced his own crisis while composing his monumental First Symphony – that of escaping the shadow of Beethoven. Experience how these struggles gave way to two modern classics with Tito Muñoz and The Phoenix Symphony.

The Philharmonic’s performances of Messiah are without question the quintessential, don’t-miss holiday event for music lovers. This is Handel’s inspired musical fireworks and some of the most glorious choral writing ever created, making this the undisputed favorite during the holiday season.

ARTISTS

Andrew Manze, Conductor
Joélle Harvey, Soprano
Jennifer Johnson Cano, Mezzo-Soprano
Ben Bliss, Tenor
Andrew Foster-Williams, Bass

Westminster Symphonic Choir, Joe Miller, director
Chorus

The Philharmonic’s performances of Messiah are without question the quintessential, don’t-miss holiday event for music lovers. This is Handel’s inspired musical fireworks and some of the most glorious choral writing ever created, making this the undisputed favorite during the holiday season.

ARTISTS

Andrew Manze, Conductor
Joélle Harvey, Soprano
Jennifer Johnson Cano, Mezzo-Soprano
Ben Bliss, Tenor
Andrew Foster-Williams, Bass

Westminster Symphonic Choir, Joe Miller, director
Chorus

The Philharmonic’s performances of Messiah are without question the quintessential, don’t-miss holiday event for music lovers. This is Handel’s inspired musical fireworks and some of the most glorious choral writing ever created, making this the undisputed favorite during the holiday season.

ARTISTS

Andrew Manze, Conductor
Joélle Harvey, Soprano
Jennifer Johnson Cano, Mezzo-Soprano
Ben Bliss, Tenor
Andrew Foster-Williams, Bass

Westminster Symphonic Choir, Joe Miller, director
Chorus

The Philharmonic’s performances of Messiah are without question the quintessential, don’t-miss holiday event for music lovers. This is Handel’s inspired musical fireworks and some of the most glorious choral writing ever created, making this the undisputed favorite during the holiday season.

ARTISTS

Andrew Manze, Conductor
Joélle Harvey, Soprano
Jennifer Johnson Cano, Mezzo-Soprano
Ben Bliss, Tenor
Andrew Foster-Williams, Bass

Westminster Symphonic Choir, Joe Miller, director
Chorus

The Philharmonic’s performances of Messiah are without question the quintessential, don’t-miss holiday event for music lovers. This is Handel’s inspired musical fireworks and some of the most glorious choral writing ever created, making this the undisputed favorite during the holiday season.

ARTISTS

Andrew Manze, Conductor
Joélle Harvey, Soprano
Jennifer Johnson Cano, Mezzo-Soprano
Ben Bliss, Tenor
Andrew Foster-Williams, Bass

Westminster Symphonic Choir, Joe Miller, director
Chorus

Brett Mitchell, conductor
Colorado Symphony Chorus, Duain Wolfe, director

HANDEL Messiah

Experience the full majesty of Handel’s masterpiece — one of the most revered oratorios of all time — when Brett Mitchell leads the Colorado Symphony and Chorus to exalt Messiah to new heights.